The Heart of a Writer

Sleep has evaded me in recent nights. I wake with a heavy heart, thinking about events of the last week . . . month . . . year. I’m lost. And I think many others are also. This is not the reality we grew up with and anticipated for our adult years, for our children, or for our grandchildren.

One of the earliest pieces of advice offered I heard at a writing convention came from best-selling author David Morrell. He challenged every one of us to figure out why we write. The wrong answer was to make us rich. The best answer to that question is that we have to write. We can’t stop, even if we want to. There is something in our being that drives us to put thoughts to paper. Beyond that, it’s on the arrogant side to think others might want to read those thoughts.

Anne Lamott mentioned much the same sentiment in a TED talk she made. Publishing a bit of writing will never fill the empty spaces in your soul, she said. But writing will. The act of putting yourself onto paper (or a screen), whether people read it or not, whether people care or not is good for your soul, and it is the only thing you’ve been called to do in this life. Tell your story. That is the purpose of journaling, I suppose. It’s therapy.

And yet, the social, political, international, economic, and environmental climate these days make it nearly impossible to pinpoint something to write about. Where do I begin in my quest to find some sort of meaning in the cyclone of disasters we face? The therapy of writing eludes me. In the wake of the violence and killings perpetrated by our country recently, I cannot begin to think how I can offer any wisdom or encouragement. There is an avalanche of written articles available about every kind of thing. The focus of my life and my purpose have been stolen by those who would force their will on the rest of us. Add theft to their list of crimes. In an epidemic of lawlessness, the world is under siege by pirates who would have everything, down to our peace of mind.

My heart weeps.

Last year, in the wake of corporate capitulation to administrative demands, I decided to look for a friendlier publisher for my stories and I found Lulu Press, a certified B Corporation. They care about the Earth and its people, and they work to make a better world. This month, through Lulu, I released a Second Edition of the first book in my suspense novel series, while continuing to work on the 4th one. Books 2 and 3 will soon join Book 1 at Lulu. The 2nd edition of Sundrop Sonata is now available, either from me or the Lulu bookstore. This is a positive step forward for me, and yet in the insanity consuming our daily news, I can’t find the heart to celebrate. I rebelled in my own way against corporate interests that have little regard for human rights or civility, but it’s a speck in the vast dust cloud that envelopes us all.

As I was flipping through the proof copy, one segment caught my attention. In Chapter 36, protagonist Izzy talks to her teenage daughter as they sit on an airplane. It reminded me why I wrote this book in the first place. Izzy is a caring mother and professional piano technician who stumbles into a situation in which she needs to find deep within herself the strength and determination to face desperate and dangerous men.

We each might find ourselves in a parallel situation today.  I need to reaffirm my values and stand for what I believe in, what is right in the world, and support others who face unspeakable situations such as Alex Pretti and Renee Good, and many others Whose Names are all but Unknown. We must remain true to ourselves

That, then, is one value of writing—and reading—fiction. To learn something about ourselves and to believe in ourselves.

Here’s a segment from Chapter Thirty-six in Sundrop Sonata.

“I feel sorry for Laura,” Melody said. “She’s always going to have to look over her shoulder, wondering if he’s watching. She’ll never be free of her dad, will she?”

“That’s an astute observation, Mel.” I slipped the in-flight magazine back in the seat pocket. “If you think about it, we’re all prisoners in some manner.”

“How? We don’t all have a maniac chasing us.”

“Maybe not, but we are limited by chance circumstances and the choices we make.”

“I don’t get what you mean.”

“You’re young and your personality is still developing. I, on the other hand, am who I am. Things I witnessed and choices I made years ago turned me into the person I am today. I’m a pretty predictable person.”

“You sound boring. Or bored.”

“Far from it. I could no more have turned Nola down when she asked for my help than jump over the moon, or harm somebody on purpose. I’m a prisoner of my own soft heart and look where it’s led me. Sometimes I wish it wasn’t so because life gets complicated.”

Melody laughed. “I can’t see you cold and hard.”

“Exactly. I’m incapable of being different than I am. I see a need and I want to help.”

“Am I a prisoner of circumstances too?”

“You’re still young enough to have lots of future options. This experience with Laura will impact your life, I’m sure. Her life has been shaped by choices people made long before she was born, so she’s got a jump-start on you building her personal prison.”

“Her dad’s life was like that too.”

“Who, Jay?”

“Yeah. His actions are almost understandable considering what happened to him and his mom.”

“You’re right. We all travel through life, on a course set by our parents. Something happens and we turn a corner, head a new direction. Pretty soon, another corner. At some point, the corners define a shape—the proverbial box. We all have unique boxes, depending on how many corners we encounter before we’re boxed in. That becomes the prison from which we view the world and make our choices.”

“Think outside the box, Mom.”

I cuffed her playfully. “Thinking or dreaming outside my box is one thing. To act outside it is another.”

“Not impossible.”

“Nothing is impossible. But to act outside my box—outside my character—would require a crisis, some event that would turn me in desperation another way and catapult me outside my defined box.”

“Something bad enough to make you cruel?”

“I can’t imagine what that would be.”

“If Laura’s dad is operating from his personal prison of rejection and misery, what kind of event would launch him out of it?”

“I don’t know—a crisis of love and kindness?”

“Nothing is impossible, right?”

~~

At the end of the story, which of these characters actually faced a crisis great enough to take uncharacteristic steps? Though I like to believe it’s not impossible for a cold-blooded killer to feel remorse and become a different person, it’s far more likely that a peace-loving and kind-hearted person will be forced to defend herself or others in uncharacteristic ways. In Sundrop Sonata, Isabel Woods must find the strength and courage within herself to take steps she never would have dreamed she could take. But, if she can do it, so can we in real life, in America, in 2026.

Steady. Stand firm for what you believe is right.

Where do I go from here?

Here we are in a new year, 2026. As I consider options for my future, I realize that nothing about life is simple. If events in 2025 didn’t prove that, I don’t know what would. I entered a new decade in my life last year, and you’d think I would have it figured out by now. But such is not the case. Nothing is simple, not even in retirement. All I can do is pay attention, consider options, and choose my path.

Society frayed over the last year. Assumptions and beliefs I’d held all my life drizzled down the drain with a mess of sewage generated by the greed of people who already have too much. For most of my life I believed we were the good guys. We weren’t perfect, but we had good intentions, good dreams, and good Declarations. Our country has evolved over 250 years in our journey to be better.  The America I remember helped people, here and around the world. America provided desperate people with opportunities. We supported human rights for all. We were on the cusp of a great awakening that would stall the degradation of our beautiful home planet, Earth.

And then the money mongers took control. In only a few months, we morphed into the villain.

I had to re-evaluate my priorities. What values were still important and intact? What do I stand for? With every step I take and every breath that is still mine to breathe, I feel I must strive to protect, preserve and prolong those who are at risk, including the unique biosphere we have enjoyed on Earth.

That is why I write. There are stories inside me that beg to be shared. Perhaps they will help heal Earth, if not for me, then for my grandchildren and theirs. Ten years ago—one whole decade—I launched my first novel, Sundrop Sonata, through Amazon. Two others followed, Sonata of Elsie Lenore, and Firestorm Sonata. I’m in process of writing a fourth story in the series. The plots evolved each time until in Sonata #3, Firestorm, we catapult through environmental disaster into a bleak, technology-deprived future.

My plan for 2026, already in motion, is to pull my books from Amazon, since that huge company seems beholden to the grifters in charge. After much soul-searching, hand-wringing, and self-doubting, I encountered a viable option in Lulu.

The Lulu company was founded in 2002 by Bob Young. Its name refers to “a remarkable person, object, or idea” and can reference the company itself, as well as each creative project of the writers who use Lulu. Its mission statement: “Lulu is dedicated to making the world a better place, one book at a time, through sustainable practices, innovative print-on-demand products, and a commitment to excellent service.”

The “sustainable” part of Lulu’s mission did it for me. For the last decade, Lulu has earned Certified B Corporation status, meaning it meets high standards of social and environmental impact. To choose Lulu for my future writing projects means that I am an advocate for environmental and social change, along with the company.

My plan for 2026 is to launch 2nd editions of each Sonata novel. Hopefully before the year is gone, Book 4 will join the others along with renewed hope in our country and the world. Watch for more book news in the coming days.

Do We Need a New Bible?

The solar energy system on our house came online in July 2011. For the next fourteen years, few days passed when our inverter reported no energy produced by the sun. Then, in June this summer, it all changed. The status window on the inverter, a necessary device that converts the direct current produced by the sun to alternating current for use in our home, toggled error messages constantly during daylight hours. “Peak overvolt,” “AC Voltage Low,” “AC Voltage High.” Production ceased. Given my determination to support the national Sun Day (https://www.sunday.earth)  on September 21 with a local event, we had to do something! An error-ridden system just would not suffice.

The people who installed our system are no longer in that business, so I called local electricians to help diagnose the problem. But we were put on a back-logged wait list, with no real intent to take us off since we were not a priority for the local electricity experts.

I turned to a recommended solar company headquartered ninety miles away. Weeks passed with no appreciable action, but after the devastating baseball sized hailstorm damaged several Solar installations in Ark City, a repair and maintenance specialist from this company stopped to take a look. He found nothing wrong, and assumed there was an issue with a computer chip in the inverter. His advice was to do a hard reset, that is, turn off the whole system for ten days to two weeks to allow the capacitors inside to fully discharge, then turn it on and hope for the best.

It didn’t resolve the error messaging.

I reported back to the solar company and declared that we were ready to replace the inverter and upgrade our home system. That’s when things became interesting.

On Friday afternoon, J, a system designer/project manager, arrived to do a site visit. We agreed on a 3:00 time via email messages. And at precisely 3:00, his white company pickup rolled to a stop in front of our house.

He’s punctual. Impressive.

J chatted about options as he took pictures of several important components in our system, utility meters, and structures on the property. A friendly, 40-something bearded man, he easily answered our questions. I noticed ear piercings as well as tattoos on his forearms. One tattoo was a caterpillar. Another broadcast in a fairly large font, “Practice Resurrection.”

Who was this guy? What did that mean, practice resurrection? Was he part of a strict religious cult? A rigid fundamentalist?

His knowledge of everything solar was obvious and the time flew by. It crossed my mind to ask about the tattoo, yet in the end I let it be. But later, that phrase wouldn’t let me be and I did a search. It turns out that “Practice resurrection” is part of a poem by Wendell Berry.

This system designer for a solar company has poetry tattooed on his arm for all the world to see. Wendell Berry, no less. Impressive!

My encounter with Wendell Berry and his writing has been a meandering path. Earlier this summer, a good friend presented me with an envelope that held a poem by Wendell Berry. M turned to this poem when he needed solace and he wanted to share it with me. That well-worn envelope is in the bag I carry daily. I shared the “practice resurrection” poem with M that evening, whereupon he loaned me Poetry of Presence II, a small volume of poems he didn’t want to part with permanently. It included a few by Wendell Berry, and M urged me to take a look at the poet’s life.

“Look him up,” he said.

Wendell Berry is not to be confused with Thomas Berry, whose book The Dream of the Earth is one of my cherished tomes. Still, there are similar themes in their writing. A thumbnail bio in the back of the loaned poetry book tells me that Wendell Berry writes poetry, essays, and novels. He is an environmentalist “with one primary message: Either we humans will learn to respect and live in harmony with the natural rhythms of this planet, or we will perish.”

Yes. That is prophecy. And Wendell Berry’s important message becomes clearer by the day as humans who have no business leading us continue to lead us toward devastation. It smacks me that this poet’s words have been swimming through my consciousness for years. I have one of his novels in my treasured books collection—as yet unread, but it’s on my list. It just moved a little higher.

There are eleven of Wendell Berry’s poems in my revered 1991 copy of Earth Prayers from Around the World: 365 Prayers, Poems, and Invocations for Honoring the Earth. Included in this volume is an excerpt from the poem that concludes with the words, “Practice Resurrection.”

What, exactly, does that mean? A description that popped up in another search. To practice resurrection means to embody the spirit of new life, hope, and transformation in the face of death, despair or brokenness. Often this is accomplished in acts of faith and love, through perseverance. It involves a daily commitment to find new life in death, to cultivate resilience, to see possibilities for redemption in difficult situations.

That, my inner voice says, is what we need right now, a sense of partnership with the creative Spirit responsible for all life on our amazing planet.  That, my inner voice adds, is the theme of the novel I’m currently writing. That inner voice, I swear, also adds, that may be the theme of many great works of fiction through the ages.

Excerpts from Berry’s poetic verse prompt more from my nagging inner voice.

Berry: “So, friends, . . . love someone who does not deserve it.”

Fell: Love is the greatest power. Believe it.

Berry: “Denounce the government and embrace the flag. Hope to live in that free republic for which it stands.”

Fell: Berry, who is 91 in 2025, wrote this before 1991. How did he know?!

Berry: “Give your approval to all you cannot understand. Praise ignorance, for what man has not encountered he has not destroyed.”

Fell: And everything he has encountered, he is in the process of destroying.

Berry: “ . . . please women more than men . . .”

Fell: Hear, hear!

Berry: “Put your faith in the two inches of humus that will build under the trees every thousand years. Listen to carrion . . .”

Fell: The cycle of life; from death comes new life.

Berry: “Laugh. Laughter is immeasurable. Be joyful though you have considered all the facts.”

Fell: Not the fake facts. Consider the factual facts. This is a difficult thing, and yet, laughter is healing. When one can laugh, one can love.

Berry: “As soon as the generals and the politicos can predict the motions of your mind, lose it. . . make tracks in the wrong direction.”

Fell: I am losing my mind.

Berry: “Practice resurrection.”

Which brings me back to the topic of this essay. We need a new Bible. There. I’ve said the thing that’s been on my mind a long time—like decades. Writers know that communication is a give-and-take experience. Half a conversation belongs to the listener. Half the communication through reading belongs to the reader. Given the infinite life experiences of any single life (no two are alike) each reader may interpret a sentence, a verse, a chapter or a book in ways that astonish the writer. This has happened to me, when readers express things they got from my writing that I didn’t know were there. And so, in 2025, with our lives so very different from the ages when scriptures were written, is it any wonder that we misconstrue, misunderstand, and misrepresent the ancient verse?

When our scriptures offer some people excuses to act in cruelty with arrogance rather than teach us how to get along, there is something wrong. When our holy verse teaches that some humans have more rights than others, this is not good. We need lessons and prayers that include reverence and consideration for all peoples around the world, for all life forms created by the Spirit from elements on Earth; we need to cherish and care for the planet as She has cared for us. We need inclusive Scriptures, not exclusive retaliatory verse. We need the insights of various faiths that developed in different locations, including those of indigenous peoples. Inclusive, not exclusive. We need to learn to respect each other, to love with abandon, and to honor those forces and cycles that brought us into being, be they of heaven or of Earth.

We need to practice resurrection.

 

 

Another Broken Treaty

Painting by Ardith Fell

Last fall I met Haskell Indian Nations University professor Daniel Wildcat at the Kansas Book Fair in Topeka. He spoke about his recent book On Indigenuity: Learning the Lessons of Mother Earth (2023 Fulcrum Publishing). Robin Wall Kimmerer calls the book “a compelling framework to rethink the role of the western worldview . . .” His presentation proved compelling as well. I left with a deep sense of gratitude for indigenous leadership in these trying times, and an autographed copy of his book.

That was before the 2024 election reduced our hope for a viable future on this planet to warm ashes. One of the latest hits to our collective understanding of America was the firing of 30% of Haskell’s staff on Valentine’s Day this year. Students were left mid-semester without mentors and instructors. Banned faculty evidently faced arrest should they set foot on campus to teach, even at no compensation. Volunteers require federal approval.

Friends in Lawrence tell me that Haskell is one of two schools the government supports through treaties to provide higher education to Native Americans. The other is Southwestern Indian Polytechnic Institution. Both schools had significant cuts enacted on Valentine’s Day.

Another treaty with the Indians, broken like many before.

Do we care?

As Daniel writes in his book, “. . . not caring is too lonely a space to occupy.” He exhorts us in an opening poem to “Stand up. For those whose voices are silenced . . . Stand up. With those who fight for justice unmoved by fear and moved by love.”

As he autographed the book I had purchased, I asked how to express gratitude in his native language. Smiling, he coached me.

Thus: For the long-suffering spirit of resilience that never gives up; for the leadership in treating our home planet with the reverence it deserves; for the quick willingness to forgive us European settlers eons of arrogant thoughtlessness—

Sonjae Keriocitae.

(my attempt at phonetic spelling of the Yuchee/Creek expression for “Thank you.” Any inaccuracies belong to me, the student, not to Prof. Wildcat.)

Let us stand up for the Native Americans and others now, as the rogue government rips uncaring through our communities.

Painting by Ardith Fell

Rise Up and Ride

Never, no never, did nature say one thing and wisdom say another.  (Edmund Burke)

Heading to Wichita years ago for a Sunday dinner with my husband’s parents, a stiff breeze buffeted our car.

“Look out for that bird!” I yelled. “Why do they do that?”

“Do what?” Craig asked from the driver’s seat.

“Fly at the car. You know, when we’re driving along, it seems like most of the birds sitting on the roadside wait until we’re almost there and then jump into our path. Haven’t you noticed? That last one was a close call.”

“You’ve heard of bird brains, haven’t you?”

“Very funny. Well then, why don’t half of them fly the other way? No wonder so many birds get hit by cars.”

“There’s another reason.”

“What’s that?”

“The wind. It depends what direction the wind is blowing. Watch. There are a couple of meadowlarks up on the crest of the next hill. They will jump into the wind—right at us—to get airborne.”

I studied the larks as we approached. Sure enough, just before we achieved the crest, they each leapt directly into the path of our car. They swerved sharply and fluttered to the north, over a dormant winter pasture.

“Why not just fly away from the car to begin with?”

“They get lift a lot faster if they jump into the wind,” he said.

“Really? You mean they couldn’t fly if they didn’t meet the wind head-on?”

“Pretty much. It probably depends on wind velocity. I think if the wind isn’t too strong, they could take off with a breeze, but it would take more effort to get airborne going with the wind. You see how they turn and go with the wind once they get in the air?”

We watched another pair of meadowlarks follow the same pattern.

“They know they can get up faster heading into the wind, and if the wind is too strong they won’t get lift unless they face into it,” he said.

~~

Since the inauguration of #47, I have felt like one of those larks. A barrage of insane and appalling executive orders sweeps from the White House with category 5 hurricane force, devastating every state in the union regardless of geographic location or political leaning. I don’t know how to begin to resist the devastation, or even to absorb all the news. You may feel the same way. But unless we get out there to face the onslaught and jump headlong into the gale force winds, we’re sunk. In whatever way each of us can manage, we need to launch against the wind of insanity and rise above it to soar toward a better future. Don’t run. Don’t hide. Don’t ignore the news. Instead, rise up and ride on the wings of the wind. It will make a difference for our future.

The Legacy of Marvin Swanson

When Covid rudely interrupted life for most of us, my series of Swanson quotations took a long break. This year I plan to return to sharing some special words left to me by my good friend, writing coach, and life mentor, Marvin Swanson. Though Marvin has been gone nearly 25 years, for me his memory lives on, as well as important lessons shared through the collection of letters he sent me.

Born in western Kansas in 1923, Marvin became afflicted with debilitating arthritis when yet a teenager. For over thirty years, he was an instructor of writing at Fort Hays State University and the University of Kansas, through correspondence courses. Living close to the campus of FHSU, he rented rooms to students and served as a mentor and a kind of foster-parent to those who shared his walls.

Marvin was a founding member of the Western Kansas Association on Concerns of the Disabled. The founding principle, possibly penned by Marvin himself, reads:

We, the members of the Western Kansas Association on Concerns of the Disabled, believe that all disabled persons, regardless of their disability, have the right to choose their own lifestyle. Along with this right comes responsibility. Therefore, we also believe that all disabled persons, no matter the degree of disability, can and should contribute something to society. We have dedicated ourselves and WKACD to the continuation of these principles.”

If contributions could be measured, those of Marvin Edgerton Swanson would rank among the highest humanity has to offer. Though imprisoned in a body wracked with pain, he transcended that condition. His mind, ever observant and quick to compile subtle nuances into gems of wisdom, connected with people of all ages to contribute to the betterment of life for all.

I met Marvin when I attended college at FHSU. We corresponded regularly until shortly before his death. His arthritis compromised his ability to wield a pen so he learned to polish the thoughts he inked onto his monogrammed stationery before writing them down. His letters were deeply well-planned in order to wring the deepest meaning from each word. When I read them again, he comes to life in my mind. The years drop away and it is almost as if I am young again, curled on his sofa, relating my thoughts to him in exchange for his ageless wisdom. Over the coming months, I plan to feature gems of Marvin’s wisdom gleaned from his letters.

Today’s gem reviews one I shared a few years ago, appropriately a few thoughts about letters.

I’ve been working on an article about the dwindling act of writing personal letters. Up to 80% of our reduced 1st class mail consists of business letters. Will the personal letter exchange gradually disappear in the electronic communication revolution? The personal letter has many unique advantages.

            Ellen Terry, an actress, began writing to George Bernard Shaw when they were both single. They never met. Both married. They wrote for 25 years. Shaw wrote about their correspondence, which has been published: “Let those who complain that it (the Shaw-Ellen Terry “romantic correspondence”)was all on paper remember that only on paper has humanity yet achieved glory, beauty, truth, knowledge, virtue, and abiding love.”

            Imagine, I can read a letter Christopher Columbus wrote describing America or Edgar Allen Poe’s letter revealing the secret of the real tragedy of his life. They’re in a book with many more entitled The World’s Great Letters.  I have it.

            “Letters . . . are, of all the words of men, in my judgment, the best.” (Francis Bacon)

 

A Festive Time at College Hill Coffee

Come chat with Ann and take a look at Firestorm Sonata.

Saturday, September 23, 2023

Noon until 2:00 pm

College Hill Coffee, 403 Soward Street, Winfield, Kansas

About Firestorm Sonata:

In peak condition, scout Sharenda Kamine is certain her field skills will insure her safety as she seeks supplies needed by the fortress she calls home. She must, however, prove her worth to the authoritarian commander of this isolated pocket of survivors. With reluctance, he grants her request to work alone and she heads across dust dunes of what once was southern Kansas, confident she will master any challenge she meets. But she is unprepared to find a window into the past, which simultaneously offers a future ripe with possibilities. She must decide whether she will honor her commitment to the Fort, or escape to freedom with Gran, the only family she knows.

Firestorm Sonata is the third in a series of dramatic stories featuring pianos and their families. It follows Sundrop Sonata (2016) and Sonata of Elsie Lenore (2020). Book 3, Firestorm Sonata, is the first book in the series which is set in a future with very different landscapes than we know today. A Climate Fiction tale, it explores the roles of pianos and musicians in a changing environment such as those predicted by today’s climatologists.

Known to many as the local piano tuner, few people realize that Ann Christine Fell has been a naturalist all her life and taught science in the Winfield schools before she opened her piano business. As a musician, piano technician, photographer, mother, and grandmother, she has gleaned details from a lifetime of wide-ranging experiences that bring her fictional stories to life for Kansas friends and neighbors. She lives on the edge of the scenic Kansas Flint Hills with her husband, her grandson, and her piano.

 

Firestorm Sonata: The Story Behind the Story

The third novel in my Sonata series of adventure tales featuring pianos and their families is now available on Amazon. I have mixed feelings about it. The completion of this journey has been months in the making and I’m relieved to finally get there. It’s been a lot of hard work, with repeated readings and editing through the summer, each time thinking this would be it, and each time finding more things that needed to change. I finally drew a line. This is it. Ready or not. And Firestorm is launched. May she find a path through the maze of words out there in the cyberverse and not disappoint.

Firestorm Sonata:

In peak condition, scout Sharenda Kamine is certain her field skills will insure her safety as she seeks supplies needed by the fortress she calls home. She must, however, prove her worth to the authoritarian commander of this isolated pocket of survivors. With reluctance, he grants her request to work alone and she heads across dust dunes of what once was southern Kansas, confident she will master any challenge she meets. But she is unprepared to find a window into the past, which simultaneously offers a future ripe with possibilities. She must decide whether she will honor her commitment to the Fort, or escape to freedom with Gran, the only family she knows.

This tale is a first for me, to set the events in the future. During my work on the second Sonata, Sonata of Elsie Lenore, a friend I respect, a retired college professor and elder in my community, shared an article with me. “Confronting the Climate Crisis Through Fiction: Visualizing a climate-ravaged world may actually be the key to mobilizing action.” Those who know me well know my passion for the natural world, for the planet Earth. As a college freshman 50 years ago—get that FIFTY—I took a life-changing class called “Can Man Survive?” in the biology department at Fort Hays State University in Kansas. It was based on the then-current knowledge about all the impacts our human activities had on water, air, land—and climate. We’ve known about greenhouse gasses for my entire life. Even longer. Some folks predicted serious impacts early in the industrial revolution, over a hundred years ago.

The evidence is mounting in 2023. This summer is already setting records. Extreme weather events around the world fill the news from catastrophic flooding to record-setting temperatures and untamable fires. Chile, Canada, Greece, Italy, China, India, Japan, Taiwan, Philippines, Sudan, Madagascar, Zimbabwe–the list goes on. In North America, water temperatures in the Gulf of Mexico hit 100+ in places, with 100% mortality in some coral reefs.

My own community cleans up after a straight-line windstorm that downed whole trees in our favorite parks and city streets, demolished our neighbor’s hay storage barn, and wreaked havoc on the county fair. Cleanup will continue for weeks. The cost has soared toward $2,000,000 already in our one small town.  And yet, we humans continue a path deemed to be disastrous for all life on the planet, just so oil companies can reap growing mega-profits at the expense of everything else we hold dear. If fictional tales set in a grim future environment will shake us into action, I decided I must try.

It’s been my privilege to offer continued piano service across south-central Kansas for nearly thirty years. I’ve kept climate records at each job, recording temperature and humidity. It’s increasingly hard to advise piano owners what their best plan of service should be. With seasonal swings in temperature and humidity becoming more unpredictable, the effects on pianos are easy to see. Tuning stability is now a figment of the imagination.

Pianos are my world. So is the prairie ecosystem. I began to ask some hard questions as I twisted those pins on my annual calls. “What’s with all the earthquakes in Kansas and Oklahoma?” In my college geology classes I learned this area is the “stable” part of the continent. Earthquakes are supposed to be extremely rare. And yet here we are.

“What about the wildfires?” Every year we hear about more extreme fires. California, Oregon, Texas, Idaho. There have been successive record-breaking fires that started in Oklahoma and raged across the state line into Kansas, burning hundreds of thousands of grass acres, killing animals (including livestock) that were trapped in its path.April 2016, a fire burned over 400,000 acres, the largest blaze ever in Kansas (at the time);  March 2017, 600,000 acres burned in southwest Kansas, people were evacuated from small towns in the area; December 2021—fires in northwest Kansas, fanned by winds stronger than hurricane force, burned 400,000 acres.

Then there were the Canadian fires this summer that burned for weeks, sending ash and smoke into the air across northern US. And Maui—MAUI?? An island in the middle of the Pacific Ocean with a drought and a spark? The death toll from the Maui fire continues to grow.

I tried to imagine what my home county would look like after an extended drought, followed by a massive firestorm. Perhaps lightning would ignite an oil spill created by one of those fracking earthquakes. Add to the mix technology that can’t receive satellite signals, towers that topple in storms, and no way to receive news from the rest of the world.

The field of stepping stones.

What would my piano family do? What would become of them and their pianos? Would it even matter anymore if basic survival was the most pressing need? Unfortunately basic survival is already the most pressing need for far too many of Earth’s creatures, including pockets of human beings.

Thus, Firestorm Sonata was born. My deepest thanks to everyone who begged for another tale, who listened when I felt discouraged, and who offered words that bolstered me to keep on writing. You all comprise the village which raised Firestorm Sonata from a small seed to fruition. May she have wings to take her beyond my imagination and in her own way make our planet and our future a little brighter for all living things.

 

Of Snow and Violins

I don’t recall a time when I didn’t love books. I must have been hooked at my first page in my first picture book. Naturally, I wanted to write them also. English class in Junior High expanded my love of language. When the home economics teacher there assigned everyone to write a picture book for preschool children, a passion was born. I embarked on a lifelong adventure with words.

Though there have been lengthy gaps when I was too involved with family matters to spend time with a pen and typewriter, whenever I could  I outlined projects, made deadlines for myself, subscribed to writing magazines, and submitted my work.

One early project started with a dream.  I don’t recall my age when this dream seared itself into my subconscious, but upon recollection it was an outlandish and delightful story. In my young adulthood, married but BC (before children) I decided to write the dream story as a picture book. It involved a couple of seals and a polar bear in the Arctic, a snowman, and a violin. A violin you ask? Yes. A violin.

Not skilled with paint or colored pencils, I figured I could illustrate this Arctic story using my photographic skills. I needed only to make the characters. I designed patterns to sew stuffed animals as well as stuffed snowmen and a violin. After careful construction, I lined up the cast on a board covered with quilt batting sprinkled with glitter, set up my trusty OM-1 35mm SLR on a tripod, and headed into the morning sunshine outside the little farmhouse we rented in Morton County, Kansas.

Crowned with a bluer-than-blue sky, the still morning was perfect for the illustrative slides. I had a blast moving the characters through the plot and snapping photos of every scene. When the slides returned from the processor, I had the story and the illustrations. I submitted the idea and samples to a few children’s book publishers, and received their kind rejections. I eventually chose Plan B and took the collection of stuffed animals, a slide projector, screen, and the story to several local libraries as a guest reader for their children’s story times. Again, I had a blast and the kids enjoyed hands-on time with the characters from the story.

The years raced by. Life happened. My own children arrived. Daily routines became strictly regimented trying to keep up with everyone’s activities. Other than a session or two sharing the story with my own kids, the stuffed characters were stored away in a big plastic tub until last December.

As Christmas approached last year, I recognized there was no good reason to hide the stuffed animals away. My daughters were grown with children of their own—and half of the grandkids were already too old for picture books. Either I pull the old critters out of the closet, or I never would. I gifted a couple to my 6-year-old granddaughter for Christmas and took along the set of photos to read her the story. On our homeward journey I realized that I now had the means to publish A Very Special Snowman myself. After digitizing the illustrations and formatting a children’s book, I sent this same granddaughter her very own copy of the book featuring the Arctic characters for her 7th birthday in March.

I launched the decades-old project to the public Thursday April 20. The “Women Score Higher” conference in Wichita solicited women authors as vendors and I was happy to be able to bring a variety of books for many different readers, including the freshly published A Very Special Snowman.

A few days after 7-year-old Mia received her book in the mail, her 9-year-old sister wrote to me saying she was writing a book and wanted to know how to publish it. It makes a grandmother proud.

Even with a peaceful ending for two careless seal pups, A Very Special Snowman is a little sad for me. Since those days of innocence long ago, the emergency situation in the Arctic has escalated as our warming Earth melts the polar ice. The fate of Arctic animals like polar bears and seals has taken a perilous turn since my early writing years.

But every stage of this project has been a thrill for me—from the dream, to construction of the characters, to photographing the scenes, telling the story, and designing a book in 2023. And the piercing blue sky in the photos of 1979 amazes me still, a reminder that this precious planet is very much worth defending for all of us, polar bears and seals included.

 

 

Who is Elsie Lenore?

The fourth book I have available at the Christmasland Writers of the Wheat event is a sequel to Sundrop Sonata, the 2020 suspense novel Sonata of Elsie Lenore.  Released just before COVID shut everything down, Elsie had a rough launch, but she’s hanging in there.

The story begins fifteen years after Sundrop concludes. Izzy anticipates the birth of her first grandchild. Daughter Melody has married a Cuban pianist, Stefano Valdez who was stranded in New Orleans (or what was left of it) after a horrific tropical storm battered the area.  Mel’s interest in relief work dates to the time her mother compromised the family’s safety to help an orphan girl.  Her work takes her to disaster sites from coast to coast in a world increasingly plagued by intense storms.

With his career thriving and a baby on the way, life looks good to Stefano Valdez until a postcard from the past shatters his world. Days before the expected birth, he heads south to find the author of the card, a sister he long believed to have perished in the storm that left him a refugee in New Orleans. Trailing her to Cuba, he unwittingly places his Kansas family in the sights of the crime ring that destroyed his sister. Will he discover the hidden message in her hastily-penned words in time to save his family?

Sonata of Elsie Lenore is Stefano’s story, from southern Kansas to Cuba and back again, where he discovers that Mel has left him to work a tsunami disaster site on the west coast.

Chapter One

LENA VALDEZ CRINGED when her husband hammered the Steinway piano lid with his fist.

His rage growing, Enrique’s knuckle bones threatened to burst through his skin. “I told you,” he said, “no more of this Lecuona crap. Do the jazz. Tonight we want the best Cuban jazz.”   The youngest of the three Diaz brothers punctuated every other syllable with his fist until the piano’s heavy bass strings vibrated with a rising cacophony.

She shrank from every blow.

“Understand?” he yelled.

, Enrique,” she said.

“Get to the jazz. I’m counting on you tonight. ¿Comprendes?

She looked down, her fingers rubbing the familiar ivory ridges of the piano keys.

“¿Lena?” he said.

She felt rather than saw his arm rise and spoke with haste. “Please, Enrique. Don’t hit the piano.”

“Jazz then. Hear me?”

She nodded. Yes, she heard him. How could she not? She could hardly recall a time he spoke to her without yelling. “, I will play jazz.”

“One hour. Then we dress for the show. No more Lecuona.”

She flexed her fingers, took a deep breath, and leaned into the keys. A recent island melody by Jorge Marin swelled from the piano. Swinging with the beat, Enrique danced out the door of the Caribbean Breeze, a nightclub in New Orleans.

Her hands flew over the keys as she coaxed melodious rhythms from the worn Steinway. It wasn’t that she hated jazz. After all, jazz expressed Cuba’s heart and soul. It sang of the courage and beauty of her countrymen. She loved jazz, but she loved classics more and she needed Lecuona right now. Their mother raised her and her brother on Lecuona, embracing classical Cuban tradition.

Lena completed the Marin number and stifled a sob.

“You okay Señorita?” Roberto, the bartender and manager of the nightclub, peeked in from a back room.

She nodded. “I will be fine.”

“I heard some yelling,” he said  and  cocked his  head,  inviting her to say more.

She forced a laugh.  “Enrique. He’s always yelling,” she explained away the outburst. “It will be fine.”

“If you’re sure.” He turned back into the storage room.

She waited a moment,  gathering her nerve,  her fingers silent on the piano keys. In a timid voice, she said, “Roberto?”

When  he  didn’t respond,  she  tried again,  louder.  “Roberto?”

He stuck his head through the swinging door again. “You say something?”

“I just wondered if you would tell me where I could mail a postal card.” She fished a postcard from her handbag.

“Sending greetings from good old New Orleans?” he said with a smile.

Sí. I want to contact my brother.”

“Stefano? How is he anyway? I heard he’d tied the knot with a beauty from up north somewhere.”

She nodded. “I just want to let him know I am here. Where could I mail the card?”

He extended his hand. “Leave it with me. I’ll make sure it goes out tomorrow.”

Gracias, Roberto.”

The bartender disappeared into the back room with her card.  Lena took a deep  breath before she  continued  her  rehearsal. If only Stefano would meet her here. Would he even get the postcard in time? He didn’t know she was booked at the Caribbean Breeze, their old favorite nightclub. Maybe he wouldn’t even believe she was here, set to perform on Mama’s piano, “Elsie Lenore.” He sure didn’t know she’d married into a family of drug smugglers or that she was miserable.

He didn’t know.

She launched into another Marin number. At its close, she whispered into the keys, “Elsie—Elsie, what will I do?”

Unexpectedly, her mother’s voice whispered in her mind. “We do what we must.”

In a flash of recollection she visualized the lewd sneer of her former stepfather as he appraised her youthful body and her mother stepping between them— “Not my daughter, you bastard!” Her mother had split up with that man before the next week passed.

A year later a new gentle suitor presented her mother with the same Steinway she’d lost after the Revolution. A gift from her father when she was young, she had fondly dubbed the piano Elsie Lenore. It was offered as a wedding gift for the woman  he’d loved all his life  and Lena’s mother could not refuse his proposal. Lena and Stefano had grown to love that piano as much as their mother did.

Her mother’s voice whispered again. We do what we must.

“Yes, we do.”  Lena’s  hands  teased  the  keys as she pondered her limited options. Elsie Lenore and her brother Stefano offered one thin thread of hope. Surely he would understand. He had to.

Her fingers caressed the keys and cajoled an Afro-Cuban piece from the belly of the piano. The melody grew, and then waned. She dropped her left hand and allowed her right hand to sketch a rhythmic melody up the keys as she diverted her left hand to the piano case.

Following the melodic sequence, she ran her fingertips to the treble end of the mahogany trim at her waist and pried upward. With a full-keyboard glissando, she moved to the bass end and inched up the trim until the keyslip was free of its mounting screws. She placed it across the music desk without the slightest click.

The music soared again when her left hand joined in. She strummed repeated staccato chords, lifted her hands at the finale, and froze, listening.

Silencio.

Roberto must have gone out for a few moments. Nobody remained inside the club.

She retrieved a set of dining utensils and a paper napkin from the nearest table and spread the napkin beneath the bass keys. Slipping the knife tip underneath a key, she scraped against the key frame, teasing a fine white dust to the edge. She repeated the process under four keys, and scraped the powder onto the napkin. Tossing the knife to the floor, she lifted the napkin’s corners, cradled the powder into its middle, and with a sigh folded it into a tiny envelope. Her brother would have been proud to know she’d learned some intricacies of piano construction. She, for her part, was grateful for his fascination with the technical side of the instrument.

Gracias, Stefano,” she whispered.

She tucked the parcel securely into her cleavage, replaced the trim, and lost herself in the music.

 

To find out what happens next, drop by the Christmasland Event with Writers of the Wheat December 3, 4:00 pm until 9:00, at the Sunflower Plaza, 417 East Gilbert in Wichita. There will be something for every reader’s taste.

Writers of the Wheat is a loosely organized group of Kansas authors who support each other in writing, as well as marketing, their work.