What do you do when your first novel receives great reviews, and people urge you to write more? That’s the real test. Last week I listened in on a live interview with Edwin Hill, author of Little Comfort and The Missing Ones. He mentioned how there is a delicious freedom with the first novel—no expectations, no deadline, nobody waiting anxiously for the arrival of the book. The second book presents the real challenge.
For subsequent works, you must write under pressure of expectations. Can I fulfill the requests of readers and maintain integrity with mywriting? Do I have more stories inside, worthy of being shared? How long will it take? And how long will the readers wait patiently for an attempt?
It was definitely a challenge to write a second novel. You’d think, now that I’d done it once, the second novel would be easier. But that was not so. It was hard, writing Sonata of Elsie Lenore. I wanted to satisfy my readers. I needed another suspenseful tale, utilizing pianos and piano technicians as characters. I wanted to provide readers with another Izzy story. After all, that was what several readers specifcally asked for.
But Izzy was all storied out. I tried mightily to write Elsie Lenore with Isabel Woods as the protagonist, but it just didn’t work. Maybe she could be the narrator then? That didn’t work either.
The seed of the Elsie story germinated 20 years ago, and was nourished by events since, but there was nothing quite as concrete as the events that wrote themselves in the Sundrop story. I had to introduce new characters, as well as keep the older ones, and it was HARD. It seemed that Elsie Lenore just didn’t want to sprout. Or she did, but the seedling was all twisted and wrong. The story didn’t flow. Even after I had a complete draft, and was re-working the three parts, it wasn’t coming together. I finally realized it was because this was no longer Izzy’s story. I was trying to make it another Izzy adventure, but this story belonged to someone else. It belonged to Stefano.
And I re-wrote the entire book. Several times.
Elsie Lenore has been through so many re-writes and revisions, I have lost count, but there are 6 different outlines in my computer files. Six major revisions later, Sonata of Elsie Lenore was released–shortly before the world screeched to a halt with the COVID-19 pandemic, and that added a new layer of complication. Everything looks different through a coronavirus lens, but I hope the final product is one that readers will enjoy, as they follow Stefano Valdez from Izzy’s piano shop in Kansas to Cuba and back again. I hope they cheer him on as he grapples with major failures and shortcomings in his personal life.
It’s true that the biggest part of the writing job, is, in fact, revising and re-writing. Polish the prose. Edit for clarity and flow. Do it again and yet again. And when you realize that the story just isn’t working the way you envisioned, you have the prerogative and the privilege to start again. Indeed, more than a prerogative and a privilege, it may be more of an obligation to re-write.
This makes me think of our global situation today. Right now, our society, our culture, and our species own the same prerogative. The same obligation. The pause in life gifted to us by COVID-19 has allowed us to step back and take a look. Things just weren’t working out too well for most people–not to mention most of the living things on this planet. Were they? This is the perfect time to re-write our future. We may not receive such a chance again.
As we move from isolation cautiously back into the social realm, let’s tread carefully, step out in a different direction, and when the path forks, flip a coin and try something different. Only one thing is certain. We can’t go backwards. Forward is the only way to go.